Timers in MTPro are incredibly useful tools.Īn external midi controller with a free key or button per track. If you take everything that's cool about a guy on stage with a load of noise screaming out of an electric guitar, and then try and imagine it's polar opposite, it's the sight of a mouse and a laptop.īome's Midi Translator Pro (free for 30 days, but once you learn how to use it in this tutorial you'll want it all year round) – you can use the free version if you like, but you will not be able to completely automate the cleanup macro that I use for the resampling without assigning an extra button and remembering to press it after the bar ends. With some of the techniques used here you can really take control of ableton and make live setups that finally free you from the dreaded mouse, bane of electronic musicians everywhere. Hopefully you'll learn some useful tips and tricks along the way. It would be pretty poor form of me to brag about what a great setup I've got without showing you *exactly* how to do it yourself, so that's what I'll do next. I usually have a high pass and low pass filter ready on this channel to allow me to remove the tops or bottoms to give some sonic space for more layering. Channel 8 will resample the result, stop all the other clips, insert a new layer, copy the stopped clips in to save later, and empty out all the recording slots so you can continue adding stuff in. Hitting the same button as the track you are recording will stop the recording process, and leave all the clips you just recorded looping cleanly.ĭoing this on channel 8 is different. You can continue this for any track, simply hit the next destination, and at the end of the bar, you'll start recording on the new destination track. Hitting 2 will start recording on track 2 at start of the next bar while track 1 continues playing back what you've just recorded. Hit 1 to start recording on track one at the start of the next bar. The rig I've developed has 8 buttons, for 8 tracks. As an added bonus, I want to be able to save everything I record, and to resample whatever is looping in the same easy way as I record layers. The challenge was this: to keep to an absolute minimum the need for button (or pedal) presses, to keep everything automatically synced and to remove the need for a screen. Like many people, I was blown away by the Kid Beyond video on the Ableton site, and seeing as I've been using Ableton for years I thought I'd give it a whirl and try and duplicate the elegant simplicity of his rig. Machine-gun Overdubbing using Ableton Live and Bome's Midi Translator Pro.
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